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It’s 1867, and the Civil War is over. But the blood has just begun to flow.

For Asher Rook, Chess Pargeter, and Ed Morrow, the war has left its mark in tangled lines of association and cataclysmic love, woken hexslinger magic, and the terrible attentions of a dead god. “Reverend” Asher Rook is the unwilling gateway for the Mayan goddess Ixchel to birth her pantheon back into the world of the living, and to do it she’ll force Rook to sacrifice his lover and fellow outlaw Chess Pargeter. But being dead won’t bar Chess from taking vengeance, and Pargeter will claw his way back out of Hell, teaming with undercover-Pinkerton-agent-turned-outlaw Ed Morrow to wreak it. What comes back into the world in the form of Chess Pargeter is a walking wound, Chess’s very presence tearing a crack in the world and reshaping everything around him while Ixchel establishes Hex City, a city state defying the very laws of nature—an act that will draw battle lines between a passel of dead gods and monsters, hexes galore, spiritualists, practitioners of black science, a coalition set against Ixchel led by Allan Pinkerton himself, and everyone unfortunate enough to be caught between the colliding forces. None of which will stop Chess from hunting down Rook, now consort to Ixchel, even if he has to rip the world apart to do it.

With the barriers between worlds crumbling, a new war being waged across the American West, and Ixchel preparing to kick off an Apocalypse fed by shed human blood while Rook plots one, final, redemptive treachery of his own, everything will come down to Chess Pargeter, once again trapped in a nightmarish underworld. But Chess has fought his way out of hell before. . . .

Experience in one omnibus package the series Publishers Weekly called “a top-notch horror-fantasy saga” full of “potent mythology, complex characters, and dollops of creeping horror and baroque gore.”

• Sales Rank: #448390 in eBooks
• Published on: 2013-12-17
• Released on: 2016-04-08
• Format: Kindle eBook

Most helpful customer reviews

6 of 6 people found the following review helpful.
For those interested in Weird Westerns with LGBTQ characters and Mesoamerican mythology, this will be a real treat
By K. Sozaeva
Book Info: Genre: Weird Western/Supernatural Horror/Steampunk
Reading Level: Adult
Recommended for: Fans of Weird West, horror, those interested in Meso-American religious practices
Trigger Warnings for series: murder (including mass murder), killing, execution, non PC language, fighting, violence, suicide, explicit M/M sex (first book only), human sacrifice, self injury, giant spiders
Animal Injuries: several horses are killed during a melee

My Thoughts on Omnnibus: The omnibus includes the Hexslinger trilogy as well as three bonus short stories, “Hexmas”., “Like a Bowl of Fire”, and “In Scarlet Town (Today)”. I have written individual reviews for each of the books in the trilogy, so for more detail on any given book, check that out. I will use this review to talk about the series as a whole, and also to review the three short stories.

One of the things I really liked about this series is the characters, and character development. Some of these people are really quite horrible human beings at the beginning, like Songbird and Chess Pargeter, yet they grow and change through the course of the series in such as way as to begin on a path to redemption. Others start out good people, like Ash Rook and Mesach Love, only to fall out of grace through one reason or another. I liked that the author was willing to make that sort of gamble. While I imagine there will be plenty of people for whom this series is definitely not their cup of tea, but for those who might like a Weird Western with some gay romance, well, this should fulfill that nicely.

As far as the short stories:
“Hexmas” is set 6 or 7 years after the events of the main trilogy. Ed Morrow and Yancey Colder Kloves are homesteading in the desert on a plot that Chess helped set up, but a new neighbor—a hex woman from Iceland—is causing trouble for them due to her fear that Yancey is a hex and will try to destroy her. To make things even more tricky, Yancey is close to delivering her first child, and afraid the neighbor woman will kill the babe upon its birth. Chess, recently elected Sheriff of Hexicas, comes to visit just in time. This short is more lighthearted, at least at the beginning, than a lot of the trilogy, and that was nice to see. It was also neat to see how Ed and Yancey have been keeping themselves during the time in question. There is mention that Yancey has been using her dead-speaker skills to try to learn more about her heritage, both from her father's Jewish tradition, and her mother's Romani.

“Like a Bowl of Fire” is set shortly after the events of the trilogy. Chess is traveling with Charlie, the young man he meets in the epilogue of book 3. They have traveled back east, where a local man has pointed them toward a section of land on which nothing will grow. Anything that goes there burns, be it a person or a plant. Chess and Charlie have to figure out why this is happening and try to stop it. During this short, we find out that Charlie has a special way with the arachnorses, the large spiders born from the giant spider in the third book, which are being trained as mounts. We also see how Chess has grown in his wisdom over the years.

“In Scarlet Town (Today)” takes place about a year before “Hexmas”. The leaders of Hexicas summon Chess to help them solve a murder, which should be impossible due to the Oath that all hexes must take to live in Hex City. Chess uncovers a cauldron of bad feelings between the hexes and the so-called “naturals”, upon whom many of the hexes look down and consider inferior, while the “naturals” are resentful of their treatment but feel they are stuck there and unable to leave. Charlie does as much to solve this as Chess.

I really did enjoy all the short stories, which gave a more in-depth look at some of the people from the series, as well as catching the reader up on them since the end of the series. Fans of the trilogy might want to purchase the omnibus mainly so they can read these stories, if for no other reason. I really have enjoyed reading these stories and look forward to whatever this author might come up with next. Watch for a guest post from the author, and a giveaway, coming on Friday on my blog!

Series Information: The Hexslinger Series
Book 1: A Book of Tongues, review linked here
Book 2: A Rope of Thorns, review linked here
Book 3: A Tree of Bones, review linked here

Disclosure: I received a copy of the omnibus from ChiZine in exchange for an honest review. All opinions are my own.

Omnibus Synopsis: It’s 1867, and the Civil War is over. But the blood has just begun to flow.

For Asher Rook, Chess Pargeter, and Ed Morrow, the war has left its mark in tangled lines of association and cataclysmic love, woken hexslinger magic, and the terrible attentions of a dead god. “Reverend” Asher Rook is the unwilling gateway for the Mayan goddess Ixchel to birth her pantheon back into the world of the living, and to do it she’ll force Rook to sacrifice his lover and fellow outlaw Chess Pargeter. But being dead won’t bar Chess from taking vengeance, and Pargeter will claw his way back out of Hell, teaming with undercover-Pinkerton-agent-turned-outlaw Ed Morrow to wreak it. What comes back into the world in the form of Chess Pargeter is a walking wound, Chess’s very presence tearing a crack in the world and reshaping everything around him while Ixchel establishes Hex City, a city state defying the very laws of nature—an act that will draw battle lines between a passel of dead gods and monsters, hexes galore, spiritualists, practitioners of black science, a coalition set against Ixchel led by Allan Pinkerton himself, and everyone unfortunate enough to be caught between the colliding forces. None of which will stop Chess from hunting down Rook, now consort to Ixchel, even if he has to rip the world apart to do it.

With the barriers between worlds crumbling, a new war being waged across the American West, and Ixchel preparing to kick off an Apocalypse fed by shed human blood while Rook plots one, final, redemptive treachery of his own, everything will come down to Chess Pargeter, once again trapped in a nightmarish underworld. But Chess has fought his way out of hell before. . . .

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[F121.Ebook] Download PDF Persuasion: A Sons of Odin Novel (Sons of Odin MC), by Violetta Rand

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If you love the motorcycle romances of Joanna Wylde and Julie Ann Walker, don’t miss Violetta Rand’s irresistible novel about a sexy-as-sin biker who tempts a good girl to go bad.

Lang Anderson may be the new leader of the Sons of Odin motorcycle club, but his personal life is in shreds. He’s struggling to take care of his three young sisters in the wake of tragedy, while rumors of drug dealing within his ranks jeopardize everything he’s built. The last thing he needs is another distraction—like a bar brawl over a woman—but Lang is a sucker for a damsel in distress. And this one gets him roaring like a finely tuned engine.

High school guidance counselor Lily Gallo is no fender bunny. So why can’t she get Lang off her mind? Lily’s head says the rugged, rough-and-tumble biker who came to her aid is bad news. Her body begs to differ. But when Lang’s troubled kid sister walks into her office, Lily’s determined to help, even if it puts her in the crossfire of a gang war. On a crash course with danger and desire, Lily partners up with Lang to fight for his family—and for love.

Praise for Persuasion

“Red-hot chemistry, emotion that digs deep, and suspense that leaves you wanting more: Persuasion is a seriously sexy thrill ride!”—Stacey Kennedy, USA Today bestselling author of the Club Sin series

“Persuasion is raw, gritty, and intense! Violetta Rand raises the bar for super-hot bad boy bikers. The Sons of Odin are dangerously sexy, real, and absolutely irresistible. Readers, brace for a thrilling ride!”—USA Today bestselling author Sue-Ellen Welfonder

“The story is sexually charged and scorching hot. Violetta Rand’s vivid worldbuilding and uber-alpha, but still believable, male heroes set her apart. If you are looking for a compelling, page-turning, and super sexy MC romance, Persuasion is a great place to start.”—Victoria Vane, award-winning author of Sharp Shootin’ Cowboy

“With a slow burn, a hot outlaw MC hero falls in love with a smart good girl. What’s not to love about Persuasion?”—Carla Swafford, author of Hidden Heat

“For the first in her steamy new MC series, Violetta Rand has written a vibrant new spin on romance’s beloved 1%ers. Lily and Lang’s story about choices, family, and the lengths we’ll go to for those we love is another winner that you don’t want to miss.”—Scarlett Cole, author of the Second Circle Tattoos series

“Persuasion is a scorching read. You’ll enjoy the ride.”—Gina Conkle, author of the Midnight Meetings series

“Forget what you think you know about MC romance! Violetta Rand’s new series is smart and, as always, sexy!”—Jessica Jefferson, author of Going Rogue

“Rand never fails to bring the heat to her exciting and fast-paced novels. This one is definitely no exception. It is the perfect start to what promises to be an unforgettable series.”—Confessions of a Bibliophile

“I loved . . . the chemistry between Lang and Lily. Holy crap! Lang was awesome!”—The Book Harbor Reviews

“A well-written, fast read.”—The Romance Factor

“Persuasion is recommended for folks who like MCs, who like hot sex between virtual strangers which evolves into more.”—Romance & Smut

Includes a special message from the editor, as well as an excerpt from another Loveswept title.

• Sales Rank: #293993 in eBooks
• Published on: 2015-12-08
• Released on: 2015-12-08
• Format: Kindle eBook

Review
“Red-hot chemistry, emotion that digs deep, and suspense that leaves you wanting more: Persuasion is a seriously sexy thrill ride!”—Stacey Kennedy, USA Today bestselling author of the Club Sin series

“Persuasion is raw, gritty, and intense! Violetta Rand raises the bar for super-hot bad boy bikers. The Sons of Odin are dangerously sexy, real, and absolutely irresistible. Readers, brace for a thrilling ride!”—USA Today bestselling author Sue-Ellen Welfonder

“The story is sexually charged and scorching hot. Violetta Rand’s vivid worldbuilding and uber-alpha, but still believable, male heroes set her apart. If you are looking for a compelling, page-turning, and super sexy MC romance, Persuasion is a great place to start.”—Victoria Vane, award-winning author of Sharp Shootin’ Cowboy

“With a slow burn, a hot outlaw MC hero falls in love with a smart good girl. What’s not to love about Persuasion?”—Carla Swafford, author of Hidden Heat

“For the first in her steamy new MC series, Violetta Rand has written a vibrant new spin on romance’s beloved 1%ers. Lily and Lang’s story about choices, family, and the lengths we’ll go to for those we love is another winner that you don’t want to miss.”—Scarlett Cole, author of the Second Circle Tattoos series

“Persuasion is a scorching read. You’ll enjoy the ride.”—Gina Conkle, author of the Midnight Meetings series

“Forget what you think you know about MC romance! Violetta Rand’s new series is smart and, as always, sexy!”—Jessica Jefferson, author of Going Rogue

“Rand never fails to bring the heat to her exciting and fast-paced novels. This one is definitely no exception. It is the perfect start to what promises to be an unforgettable series.”—Confessions of a Bibliophile

“I loved . . . the chemistry between Lang and Lily. Holy crap! Lang was awesome!”—The Book Harbor Reviews
 
“A well-written, fast read.”—The Romance Factor
 
“Persuasion is recommended for folks who like MCs, who like hot sex between virtual strangers which evolves into more.”—Romance & Smut
 
“It’s a fast-paced story, but time seemed to go unnoticed. I know there’s more for Vincent and Tina; I feel it in my spirit, and I can’t wait to read it.”—Happy Ever After Book Reviews

Most helpful customer reviews

2 of 2 people found the following review helpful.
Definitely my favorite book by Violetta Rand so far
By librarian by day, reader by night
efinitely my favorite book by Violetta Rand so far.

We dive into the world of the Sons of Odin MC, which is along with the heroine Lily who is unfamiliar to this world. The rules, terms, and general attitudes are all something that lead to some pretty funny moments between Lily and Lang. She is primp and proper, and Lang can come off as a caveman.

Lily has gone through more challenges in her life than you would expect, which draws Lang closer to her.

Lang definitely cares a lot about taking care of his sisters, who are in his care after his parents death. It was great to see the softer side of him throughout the book. That really made their love more believable since they both really care for children.

I loved that there was a definite twist at the end, that brought them together in an unexpected way. Although I think we will see them in future Sons of Odin books too.

There were unexpected moments of humor that I really enjoyed.

Another steamy read from Rand, I cannot wait to read the rest of the series.

2 of 2 people found the following review helpful.
I love this book!!
By Beverly Ross
Violetta Rand just blew me away with this story! I haven't really gotten into the mc books those are my Daughters favorites! But I read this and now I'm hooked!! This was a great story! Having grown up in the biker world I am very excited to see a realistic portrayal of the biker life! Now I can't wait for the rest of their stories! Ten stars! To Violetta!! I absolutely loved it!

2 of 2 people found the following review helpful.
Must Read
By Courtney Kinder
Violetta Rand's Persuasion(Sons of Odin #1) is a Must Read! Lang Anderson becomes the new MC's president after his uncle goes to jail. He is in charge of raising his 3 young sisters since the death of his parents.

Lang meets Lily Gallo after he saves her at a bar. They have instant chemistry, but Lily gets scared and calls a stop to it.

Langs sister Maya is having trouble at school and has to see the guidance counselor. When Lang takes her to school guess who's the new guidance counselor. Lily Gallo. The story unfolds from there.

Can't wait for the next book in this series!

See all 85 customer reviews...

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[L522.Ebook] Download Ebook Sixty: A Diary of My Sixty-First Year: The Beginning of the End, or the End of the Beginning?, by Ian Brown

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Sixty: A Diary of My Sixty-First Year: The Beginning of the End, or the End of the Beginning?, by Ian Brown

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This is the thing, you see: I am on my way to being an old man. But at sixty, I am still the youngest of old men.

As Ian Brown’s sixtieth birthday loomed, every moment seemed to present a choice: Confront, or deny, the biological fact that the end was now closer than the beginning. True, he was beginning to notice memory lapses, creaking knees, and a certain social invisibility—and yet, it troubled him that many people think of sixty as “old,” because he rarely felt older than at forty.

An award-winning writer, Brown instead chose to notice every moment, try to understand it, capture it . . . all without panicking. Sixty is the result: Brown’s uncensored account of his sixty-first year, and, informed by his reportorial gifts, his investigation of the many changes—physical, mental, and emotional—that come to all of us as we age.

Brown is a master of the seriocomic, and his day-to-day dramas—as a husband, father, brother, son, friend, and neighbor—are rendered, inseparably, with wistfulness and laugh-out-loud wit. He is also a discerning, prolific reader, and it is a pure pleasure being privy to his thoughts on the dozens of writers—including Virginia Woolf, Philip Larkin, A. J. Liebling, Wisława Szymborska, Clive James, Sharon Olds, and Karl Ove Knausgaard—who speak to him most, at sixty.

From an author on whom the telling detail is never lost, Sixty is a richly informative, candid report from the line between middle-aged and soon-to-be-elderly. It perfectly captures the obsessions of a generation realizing that they are no longer young.

• Sales Rank: #349177 in Books
• Brand: EXPERIMENT
• Published on: 2016-08-23
• Original language: English
• Number of items: 1
• Dimensions: 8.10" h x 1.10" w x 5.30" l, .0 pounds
• Binding: Hardcover
• 320 pages

Features

• EXPERIMENT

Review
Shortlisted for the 2016 RBC Taylor Prize for Literary Non-Fiction

A CBC Best Book of the Year

A Globe and Mail Best Book [2015]

“Mr. Brown is charming, thoughtful and edifying company. There’s loads to identify with in Sixty. More than that: There’s loads to flat-out adore. . . . Brown’s reflections on friendship are soulful and worth committing to heart. So are his meditations on marriage and parenthood.”—The New York Times

“A compelling take on the joys and agonies of growing older. . . . Brown peppers this memoir with crisp, self-deprecating asides, and a wry point of view that holds up to the very end. Where Brown really reels you in is with his sincerity. His insights, quips and candid assessments of aging are to be enjoyed by any Boomer nearing or having passed the big 6-0.”—Los Angeles Times

“A rich new book . . . Brown can’t help but turn some of the absurdities he faces into humor . . . The laugh-out-loud passages are tempered by a poignant theme Brown comes back to time and time again: regret.”—Forbes

“Brown asks all of the right questions in Sixty: A Diary of My Sixty-First Year, an account that is by turns witty and poignant. I laughed aloud.” —The Wall Street Journal

“A spark of humor shines through even these serious topics, which he handles gracefully. Well considered and illuminating, Sixty allows readers to delve deeply into the real meaning of maturity.”—Booklist

“Brown's humor is pointed inward as often as outward, and he neither glosses over nor languishes on the fact that he has fewer years ahead of him than behind.”—Kirkus

“Provides readers, baby boomers in particular, with examples of how to live thoughtfully and observantly.”—Library Journal

“Those turning 60 will appreciate and find resonance with Brown’s honest grappling with his aging.”—Publishers Weekly

“I would read anything Ian Brown writes. This is a particular pleasure: Humane, funny, dark, wry, and utterly engrossing.”
—Susan Orlean, author of The Orchid Thief

“Finding out Ian Brown has turned sixty is like finding out my bad little brother has turned sixty: I’d expect him to have a disarming, slightly disreputable take on this least interesting of birthdays (long now in my rearview mirror). And with Sixty, I’m certainly not disappointed. Ever the witty, ever the mischievous, observant and likable, Ian Brown has written a book that other sixty-year-olds can keep on their breakfast table, to dip into with their Ovaltine. It’s a splendid companion book to aging—a condition when ordinary companionship is, frankly, not always that agreeable.”
—Richard Ford

“I’ve been reading Ian Brown since before I needed reading glasses. He’s wise—poetic even—and willing to be unabashedly petty, which is what makes this book so funny and almost too true.”
—Sarah Vowell, New York Times–bestselling author of seven books, most recently Lafayette in the Somewhat United States
 
“Ian Brown is so wise and insightful and funny about the indignities of turning sixty that he makes those of us who haven’t yet reached that harrowing birthday believe that maybe it won’t be so bad. Surely, once we get there, we’ll all be as wise and insightful and funny as Ian is. We won’t, of course: This book, like its author, is one of a kind. A wonderful, inspiring, occasionally cringe-inducing chronicle of a very human year.”
—Paul Tough, author of Helping Children Succeed: What Works and Why

“Growing old has its burdens and pleasures. Ian Brown captures them both so beautifully that he almost makes the reader wish for sixty. There is a lot of wisdom in these pages.”
—Ari L. Goldman, author of The Late Starters Orchestra

"Sixty may find [Brown’s] biggest audience yet; there are so many of us in the same creaky boat. Written with [Brown’s] trademark gutsy candour, and full of self-deprecating wit. . . . Edifying . . . accessible.”
—Plum Johnson, award-winning author of They Left Us Everything, in the Globe and Mail

“Thoughtful, heartfelt, fearless, impossible to put down . . . Brown manages to be both hilarious and serious . . . His ultimate message—to pay attention, to keep our eyes open, to look at ‘what is coming down the road’—is vital.” —Quill & Quire (starred review)

“Funny, honest and profound.” —CBC

“Wickedly honest and brutally funny.” —Global News

“Brown applies his precise insights and self-deprecating humor to the universal anxiety about aging.” —Ottawa Citizen

“Like everything Brown writes, there’s a smooth quality to the prose. The reader is carried along effortlessly on Brown's thought waves, his regrets (he has wasted his life) and his follies (overspending yet dedicating himself entirely to underpaid journalism). Readers are granted a rare private tour of a very bright, introspective and sensitive man's brain. It’s raw, it’s real and it’s scary as hell.”—Winnipeg Free Press

“Wry and hilarious. . . . a fascinating blend of astute observation, penetrating insight and self-deprecating good humour. . . . [Sixty] taps [Brown’s] own inner and outer lives and the reader is rewarded by his musings on the existential angst he believes sets in after sixty. . . . [A] unique blend of realism and bravado. . . . Brown’s book is crisp, candid and wonderfully written. No reader, of any age, should miss it.” —The Sarnia Observer

About the Author
Ian Brown is a highly acclaimed journalist and author. His most recent book, The Boy in the Moon: A Father’s Search for His Disabled Son, was named one of The New York Times’ 10 Best Books of the Year and won three of Canada’s most prestigious awards: the Charles Taylor Prize for Literary Non-Fiction, Trillium Book Award, and British Columbia National Award for Canadian Non-Fiction.

Excerpt. © Reprinted by permission. All rights reserved.
February 4, 2014

I’m sixty today. My Facebook page (Facebook is celebrating its tenth anniversary) is full of kind wishes from Facebook friends, that is, from people I know, sometimes well, but also from people I don’t know at all. I’m not sure how I feel about Facebook friends, but thank you all for the birthday wishes. I begin my sixty-first year underslept, with a brewing chest infection, and to be frank I am not looking forward to the day—standing as I am on the threshold of the no man’s land beyond sixty. Sixty! I mean—if you’ll pardon the expression—fuck me dead! How did I get to be this old? The answer is by not paying attention. 
   Downstairs, I discover that Johanna, my wife, has left a card on the kitchen table. It contains two photographs of me walking my daughter, Hayley, in her stroller in Los Angeles, when Hayley was an infant and I was . . . thirty-nine? Forty? And of course, we all know what that looks like: it looks thinner. Your hair is ill-advised, but you have so much more of it you don’t really care. At forty, I looked like someone who thought he was twenty-one. 
   And just like that, standing there in the darkened kitchen at sixty, having been that sort of person—the kind who thought he was twenty-one when he was forty—strikes me as a terrible error. O you fool, I think, you did not realize upon what quiet foot The End approacheth. (My mental cadence takes on the rhythms of the Book of Common Prayer when I get anxious.) I mean, it’s easy to forget, amid the pleasures and terrors and gentle draining sounds of everyday life, how it all goes by much too fast. Even if you pay attention all the time—and who, really, manages to do that? 
   And then, inevitably—this always happens—the litany of my failures rushes into the vacuum left by all that speeding time—except that now, at sixty, those failures seem especially irreversible: not enough money, no retirement possibilities, no lush vacation home, no fast cars, no novels or plays or Broadway musicals or HBO series written, the rest of the usual roster of regrets. As well as all the moments I could have been more human, and less afraid. And in the place of those lost accomplishments, there’s just the clock ticking on the wall, making its sound, which, as Tennessee Williams said, is loss, loss, loss. 
   This is the problem with turning sixty: it’s so goddamn melodramatic.

Most helpful customer reviews

7 of 8 people found the following review helpful.
What to expect?
By Mark Kane
I mostly enjoyed reading this book, as Brown shared many of the thoughts and anxieties that many people at this age experience. For me it would be good, I thought, to know that others are going through the same thing that I am. I thought at sometimes that he is just a little too anxious, and it became more difficult to sympathize. However this by its nature was a revelation that is very personal, so some understanding is requisite. It became a little more troubling and difficult to empathize, frankly because of his elite background. He talks about hiking in England and jetting to Colorado for skiing while expecting us to understand his anxiety about not having enough money for his golden years. Just stop! Overall it was good to read the thoughts of someone else at my age with some of the same feelings, but Brown specifically is not necessarily a very worthy person to present many of the anxieties, because it is hard to empathize with someone from such a privileged background. The book generally is an easy and well-written read, although occasionally Brown does start to over- intellectualize in a way and with such information that only fellow writers and English professors can appreciate.

3 of 3 people found the following review helpful.
Worth Reading!
By Barb
Brown's writer's voice is quite strong and profound. I really enjoyed his point of view, his prose, and his male voice, as I have read many female voices on similar topics (aging). It was refreshing. At the same time, while we are the same age, Brown is more upset about turning 60 than I was and he points out many issues that upset him in turning this age....issues that I, quite frankly, don't focus on. By reading them, I was forced to focus on them and that was a little bit of a downer even though I am greatly reflective and introspective, myself. All in all, a very important read and I highly recommend Brown's book.

14 of 15 people found the following review helpful.
A Male Perspective Of Turning 60
By Cecilia
A great read because award-winning writer Ian Brown gave a witty, self-deprecating daily journal of his insecurities when turning 60. The perspective, although entirely male and therefore focused a lot on male insecurities, was funny, sensitive and charming at the same time.

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[F580.Ebook] PDF Ebook John Lennon: Life, Times and Assassination, by Phil Strongman

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• Sales Rank: #3183977 in Books
• Published on: 2010-10-31
• Original language: English
• Dimensions: 7.80" h x .39" w x 5.08" l, .64 pounds
• Binding: Paperback
• 288 pages

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12 of 12 people found the following review helpful.
read this alongside Fenton Bresler
By alan
So I just finished John Lennon: Life, Times & Assassination by the Brit Phil Strongman (published by Bluecoat Press, available on Amazon and, I'm sure, elsewhere). My overall impression: this is a fine piece of work and deserves to be widely read. It places Lennon in the global historic context viewed through the lens of anti-imperialism, weaving Lennon, and Chapman, into a chronologic narrative, well-told by Strongman, who takes us from FDR to today, giving Central America its due along the way. Readers of my blog [...] know that this latter is my main motor: I am convinced that John Lennon died to advance Uncle Sam's murderous counterrevolutionary wars in Central America greenlighted by Reagan's election. Phil Strongman has made a major contribution.

Fenton Bresler's Who Killed John Lennon remains the single most important contribution to our knowledge of John's murder, including as it does the evidence unearthed by Bresler's investigation, to date still the most comprehensive we have. But there's plenty in this book to dig into, including some material about Chapman and the assassination that I haven't seen elsewhere.

First, Strongman recognizes the depth of murderous depravity of the Central America wars. "With Reagan's election now in the bag, both the CIA's hawks, and the Latin American police states they supported, decided they were virtually untouchable... During 1981 the US sent the Salvadoran government $30 million as that regime presided over the deaths of another 10,000 of its own civilians, including woman and children, most of them murdered by the Salvadoran military or this death squads." Strongman definitely gets the connection and gives it its due.

Second, Strongman brings in the other high-profile assassinations of the Sixties and beyond: JFK, Malcolm X, RFK, MLK, the attempts on George Wallace and Reagan, others in Mexico and Rome. In fact, he devotes more pages to these executions than to Lennon's (I think...I didn't really count). And his compilation of connections amongst the "illicit establishment" and "alleged assassins" is impressive. When I first read Bresler's book (~1995) and had my epiphany that John had been taken from us because of Central America, I avoided the context of this history of political murders in Amerikkka. I wanted to focus on the specifics of Lennon and Chapman - why it makes so much sense that the Permanent Government would want John out of the way as they cleared the decks for slaughter in Central America, and all of the facts about Chapman's life that were just too inconvenient to fit the "deranged fan lone nut" cover story. It was, and is, a compelling case. But I also realize that of course this narrative means there is a CIA assassination force aided by their MK-ULTRA programmed-assassin project, and if one accepts the argument that they killed John Lennon, then one also has to accept the likelihood that they were behind other executions, and attempts. I didn't want to distract people with the ocean of material about e.g. the JFK assassination, into which one can easily submerge and never come up. But Strongman has done us all a service by embedding John in the sweep of this history, beginning with the natural sympathies of some domestic rightist elements (including some in the military) for European and Japanese fascism in the 30s, 40s, and beyond, and their successful importation (via Operation Paperclip) of Nazi technical experts and other war criminals (e.g. Martin Bormann) into the homeland (or to various allied subfascist countries) for the twin purposes of "loot and anti-Communism" as Strongman nicely summarizes. He takes us through the establishment of the OSS and its evolution into the CIA; the CIA's competitive relationship with J. Edgar Hoover's FBI; and the trump card held by the CIA: photos of Hoover in flagrante delicto with his longtime gay lover Clyde Tolson (not "Colson" - p25) - which enabled the CIA to poach on the FBI's turf - the USofA - supposedly prohibited by the CIA's founding charter. This enabled the CIA to "infiltrate every post-war industry, even those connected with the Arts." He reminds us that it was British military/intelligence, in Malaya, that first deployed the "hearts and minds" counterinsurgency strategy. He gives the RFK assassination appropriate attention, including acknowledging what I consider a smoking gun Herbert Spiegel, the Columbia psychiatrist and author of one of the standard texts of clinical hypnosis, concluding that Sirhan was hypnotically programmed to shoot RFK. I've said this repeatedly, so return visitors please excuse me, but I'm saying it again: if you haven't yet, see the film RFK Must Die, available on DVD, and listen to Spiegel make the case for the creation of a "programmed assassin".

Third, Strongman makes a number of points that I've never heard before, and haven't fact-checked. I do wish that he'd cited his sources as he made each of these assertions, rather than just having a list of references at the end... they could well all be accurate, but in any case, here they are:

* elements of the US military plotted to assassinate FDR in 1934 in a coup d'etat but were foiled by loyalists

* the CIA, by infiltrating its assets throughout the art scene in the US, succeeded in promoting the ascendancy of artists whose work would never challenge the real-world status quo, e.g. Jackson Pollack, Andy Warhol - and in fact, much of the pop and op art of the 50s and 60s, funding the "strong new tradition that increasingly demanded that "art" could be literally anything - from a blank canvas to a shiny cartoon to an unmade bed - as long as it was without practicality, meaning, or politics..."

* lots of stuff about the JFK assassination. That Frank Sturgis confessed to being one of the shooters; that Jack Ruby had worked for Richard Nixon; that Ruby and Lee Harvey Oswald had been "bedmates"; that part of Oswald's set-up as the patsy involved hypnosis

* a record executive offered to arrange the murder of a girl dating one of the Jackson Five so that wouldn't affect their image

* Mae Brussell thought the Manson murders were part of Operation CHAOS, Hoover's plan for the FBI and CIA to collaborate on dividing the New Left.

* there exists an FBI memo regarding the John Sinclair Freedom Rally of 10 December 1971 which "shows a strange fascination with the event's security"

* E. Howard Hunt refused a request from Nixon aide Charles Colson to break into Arthur Bremer's house after Bremer had attempted to assassinate George Wallace. Later that year Hunt's wife was on a plane that exploded on the approach to Chicago.

* in NYC 1976 or 77 "Lennon first started to dream about a stranger who asked for an album to be autographed then returned, later, angry and with a loaded gun".

* Chapman speaks Russian (p211)? I'd not seen that mentioned anywhere. Is it true?

* chills are a sign of deep hypnosis (p215)

* "thirty years later, Dr. Dorothy Lewis...examined Mark David Chapman and declared her belief that he might have been acting in response to a 'command hallucination' the day John Lennon was killed."

Importantly, Strongman asserts that Chapman was not a big Beatles or Lennon fan. This is also what Bresler says in his landmark investigation. But according to Jack Jones, whose Let Me Take You Down is based on the most extensive set of interviews of Chapman at Attica: as a child Chapman "would sit, sometimes for hours, playing Meet the Beatles, his only rock music album, while rocking back and forth..."(pp97-98). Jones also quotes Jan Reeves, the sister of Dana Reeves (the Georgia state cop who gave Chapman the hollowpoints he was to fire at Lennon): "I had a big collection of Beatles albums and he told me one time he didn't like them anymore because John Lennon had said that they were more popular than God." (pp117-118). I wish that Strongman had mentioned this history, if only for completeness.

And some Chapman material I've not seen before, including Chapman's playing audio tapes of the gunfire he'd recorded in Beirut in June 1975 to his friends "after he and the other YMCA visitors were pulled out." The only place I've seen that mentioned is the post by a visitor to this site, who regarded this a sign of Chapman's being an enthusiast for violence (Phil, is that where you got this bit?). Also, that Beirut at that time was "said to have been the home of the CIA's top secret assassination training" as was/is Hawaii. He also notes that the source of funding of Chapman's travels has never been identified -- Bresler says that Chapman's wife fronted his plane fares to and from NYC, but that doesn't include his travels prior to his marriage, e.g. his first trip to Hawaii in January 1977, when on arrival in Honolulu, he checked into the expensive Moana Hotel, according to Strongman, "money again seemingly no object." After a year of dead-end jobs, Chapman is admitted to the psychiatric unit of Castle Memorial Hospital after an alleged suicide attempt, then, as Strongman points out, he joins the unit staff in what appear to be "this incredible transition, from psychiatric patient to psychiatric staffer, within weeks." In July 1978 he begins his world tour, and on his return gets over 1200 Kodachrome slides processed; again, with funds from a yet-unidentified source. Strongman notes that the born-again Chapman somehow gets himself sent to the Middle East in 1975 but fails to visit the Holy Land, and to compensate for this apparent oversight in his handling, at the end of his world trip, "Chapman squeezed in a couple of days in Israel and there he gave a couple of the Holy Sites a cursory glance." I wish Strongman had documented these statements - maybe they're in the references he cites at the end. Also, "his October 1980 postcard to an Italian friend that spoke of New York and a 'mission', was later returned to the USA as undeliverable. When it finally arrived the original posting date had been changed to 1981 and the word 'mission' had been carefully removed." Again, I'd really like to know the source for this.

I have a couple minor quibbles to air, some political, some factual, some really trivial:

* I was surprised that in his review of the CIA's MK-ULTRA program of mind control, Strongman refers (p35) to CIA biochemist Frank Olson's having "leapt from a ninth-floor hotel window to his death" after being unwittingly dosed with LSD. The evidence is pretty potent that Olson was thrown through that window to prevent his talking about MK-ULTRA. His son, for one, is convinced of this and is devoting his life to re-opening the case and getting some justice for his father's murder - see his website [...] see also A Terrible Mistake: the Murder of Frank Olson and the CIA's Secret Cold War Experiments by H.P. Albarelli Jr and Dead Silence: Fear and Terror on the Anthrax Trail by Bob Coen and Eric Nadler.

* on p199, Strongman notes that on 2 December 1980, the same day the four U.S. churchwomen are raped and murdered by the Salvadoran military, Chapman boards a flight from Honolulu to Chicago and "although he has a grandmother in Chicago it's extremely unlikely that the armed Chapman really spends three days and nights alone with her." Regardless of how likely that may or may not be, Fenton Bresler, who made the discovery of the doctored plane tickets, also uncovered evidence that Chapman likely had flown to Chicago with his grandmother to bring her home after a visit, and thus had no intention of going on to NYC until he was re-oriented by his handlers during this 3-day layover.

* Strongman refers to Vietnamese "Troskyites"...this term has historically been used primarily by those virulently opposed to Trotsky and his adherents, primarily Stalinists (e.g. the "Trotskyite-Zinovievite Terrorist Centre" of the Moscow trials of 1936). The precise, and preferred, term is "Trotskyist".

* southern Vietnam's National Liberation Front (NLF) never referred to itself as the "Viet Cong" - that was the term chosen by the invader (Uncle Sam), and so using it unconsciously represents a choice for the imperialist telling of history.

* Candlestick Park is not "some 4,000 miles" from Liverpool (p 109); it's more like 5400 (OK that really is trivial, but I think if you're writing a book that's, uh, gonna be controversial, it's best to fact-check everything great and small).

* Less trivial is this (p117) "By 1 February 1968, over 1,400 troops had been killed or wounded [in Vietnam]" -- I'm sure this was a typo, since it was more like 16,250 killed (not counting wounded) by 1968.

* on p137, a telex from J. Edgar Hoover to Special Agents in Charge in NYC and LA reads "While Lennon and the Harrisons have shown propensity [sic] to become involved in violent antiwar demonstrations" But there must be a typo (like, he meant "...have shown no propensity...") since on the same page is this: "And even the airtel admits that neither Lennon nor the Harrisons had shown any 'propensity to become involved in violent antiwar demonstrations'"

typos:
p176: "Madison Square Gardens"
p226: "Charlie Mansion's"
p257: "The fact that Chapman avoided the publicity..." repeats

Finally, Strongman concludes that "I am now as convinced as any human being can be that elements of both the FBI and the CIA were undoubtedly behind a 'cover-up' in December 1980." Phil, man, I'm with ya, and if you're reading this, well I really really like your book. I hope you take the above as suggestions as constructive criticism for tuning up the second edition...and while you're at it, maybe you could add an index?

7 of 7 people found the following review helpful.
Shadow Of A Black Kingdom
By Albert Doyle
Strongman attempts something very similar to what James Douglass does in his book 'JFK And The Unspeakable' by intermixing the full background of covert agency history and political influence with Lennon and his life. By doing this Strongman reveals an unseen perspective to Lennon's assassination never before seen in this exact context. The book is effective in showing how corrupted media coverage has failed to inform the public of the greater body of evidence surrounding Lennon's murder and how this inadequate coverage has allowed incriminating evidence to go unseen. Strongman steps back and puts Lennon's assassination into greater context by juxtaposing the evolution of western state security organizations, their politics, and methods with Lennon's own personal and political evolution, showing how the two influence and interact with each other.

The book's strength comes from the fact it deals with the conspiracy to kill Lennon in such a way that defeats the limited view created by state-controlled media sources by going out and documenting the covert doings of those agencies and establishing a precedent for their worst offenses. Strongman makes it impossible to ignore this precedent by discussing the evidence behind several key 1960's assassinations and their undoubtable relationship to those covert agencies. Once the readers are shown there's good reason to believe JFK, Malcolm X, MLK, and RFK were all killed by means of diabolical covert conspiracies it becomes more difficult to see Lennon's death as not being related, especially when all the detailed similarities are explained. This is further enhanced by illuminating the full world of covert agency evolution in tandem with Lennon's life. The effect this achieves is to create a 3 dimensional diorama where the reader can see cross section relevancies between these infamous assassinations not available from conventional sources. What has been effectively hidden by viewing each of these incidences by the sole means of their official stories and media coverage is now seen in a whole new light thanks to Strongman's fleshing-out of their true dimension. And when the previously segregated esoteric clues are assembled in correct context a hauntingly scary pattern of similarity occurs between all these assassinations and the motives for them, including Lennon's. Suddenly the link between all these assassinations becomes clear like a zodiac of constellations appearing in the same black night sky of covert murder.

'John Lennon Life, Times, & Assassination' shows how right-wing powers tried to counter the humanitarian liberalism of FDR. These powers coalesced during the cauldron of WWII into the OSS and later the CIA. The assembly of the people into one giant war power allowed these agencies to finally act on political purposes that were previously restricted by government form. Increasing this power under the dire pretext of the Cold War, CIA had become a separate power practicing political eugenics in the background with rules that allowed them to do so secretly. Advances in mechanized culture had allowed a departmentalization of society where social tasks were left to increasingly separate entities. While the people assumed CIA was acting in their best interests they were bascially left alone and took full advantage. This WWII mentality of all assembled under one military government was extended into the Cold War with CIA being the main, invisible controlling body. Strongman shows how this growing covert power and Lennon were headed on a collision course that eventually resulted in Lennon showing-up on CIA and FBI radar for his anti-war activities. Mixed in with this is a well-constructed case for the evidence of covert involvement in those famous 60's assassinations. When you compare how Lennon existed within this covert profile it becomes impossible to separate his assassination out from the others. Especially when key clues shown in FBI and CIA's own files conform to other incriminating clues that give away their involvement. While doing this Strongman parallels how post-colonial decline was forcing covert agencies into increasingly drastic actions to combat communism that led to seeing peace activists as threats to the state and reacting with assassination. This finally culminates in a deft presentation of all the similar symptoms of mind control hypnosis between Lee Harvey Oswald, Sirhan Sirhan, and Chapman, as well as other subtle clues. So, in the end, when the full body of evidence is presented, including all these shielded histories and clues, it becomes more than obvious CIA assassinated Lennon, as Strongman concludes.

I have to thank Strongman because he's the only published source I've seen who mentions that Jimi Hendrix's death also strongly conforms to this pattern and that the claim he was murdered by his manager for money might be a limited hang-out for a more sinister covert murder of the type shown in his book.

3 of 4 people found the following review helpful.
Excellent Read
By Bob Wilson
This is an excellent and informative read. The author fills in a part of the story that has largely gone unexamined in the media. It is a bold and well researched volume of work.

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Unlocking the Essence of World Class Performance. The authors experiences during the 6 months he spent travelling around the world to live and study in 6 Gold Mines which had obviously cracked the code when it comes to creating super athletes.

• Published on: 2000
• Binding: Paperback
• 224 pages

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• Sales Rank: #11877523 in Books
• Published on: 1970
• Binding: Hardcover

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• Sales Rank: #9635760 in Books
• Published on: 2014-10-12
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x .19" w x 7.00" l, .36 pounds
• Binding: Paperback
• 84 pages

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